Engros- Olja Måleriet Reproducering , Nej Minimum!

 
 

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Karoly Ferenczy

1863-1917 Karoly Ferenczy Locations

Måleriet identifieringen::  1207
Oktober
1903 Ungersk Nationell Galleri
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Karoly Ferenczy October oil painting reproduction

   
 

 

 
   
      

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John Whetten Ehninger

American Painter, 1827-1889

Måleriet identifieringen::  38352
October
mk136 Oil on canvas 1867
American Painter, 1827-1889 Titta min galleri i Sverige
 
 
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John Whetten Ehninger October oil painting reproduction

   
 

 

 
   
      

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Carl Larsson

Swedish Realist Painter, 1853-1919

Måleriet identifieringen::  41578
Oktober
mk163 Vattenfärgen 1882/1883
Swedish Realist Painter, 1853-1919 Titta min galleri i Sverige
 
 
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Carl Larsson October oil painting reproduction

   
 

 

 
   
      

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Karoly Ferenczy

1863-1917 Karoly Ferenczy Locations

Måleriet identifieringen::  54387
October
mk235 1903 Oil on canvas 126x107cm
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Karoly Ferenczy October oil painting reproduction

   
 

 

 
   
      

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James Tissot

French Painter, 1836-1902

Måleriet identifieringen::  82690
October
Date 1877(1877) Medium Oil on canvas Dimensions 216 x 108.7 cm (85 x 42.8 in) cjr
French Painter, 1836-1902 Titta min galleri i Sverige
 
 
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James Tissot October oil painting reproduction

   
 

 

 
   
      

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James Joseph Jacques Tissot

James Jacques Joseph Tissot (15 October 1836 - 8 August 1902) was a French painter, who spent much of his career in Britain. Tissot was born in Nantes, France. In about 1856, he began study at the École des Beaux-Arts in Paris under Hippolyte Flandrin and Lamothe, and became friendly with Edgar Degas and James Abbott McNeill Whistler. Tissot exhibited in the Paris Salon for the first time in 1859, two portraits of women and three scenes in medieval dress from Faust. The latter show the influence of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom he had met in Antwerp in 1859. In the mid-1860s, however, Tissot began to concentrate on depicting women, often although not always shown in modern dress. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored japonisme, including Japanese objects and costumes in his pictures. A portrait of Tissot by Degas from these years (Metropolitan Museum of Art, New York) shows him with a Japanese screen hanging on the wall.

Måleriet identifieringen::  86716
October
1877(1877) Medium Oil on canvas Dimensions 216 x 108.7 cm (85 x 42.8 in) cyf
James Jacques Joseph Tissot (15 October 1836 - 8 August 1902) was a French painter, who spent much of his career in Britain. Tissot was born in Nantes, France. In about 1856, he began study at the École des Beaux-Arts in Paris under Hippolyte Flandrin and Lamothe, and became friendly with Edgar Degas and James Abbott McNeill Whistler. Tissot exhibited in the Paris Salon for the first time in 1859, two portraits of women and three scenes in medieval dress from Faust. The latter show the influence of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom he had met in Antwerp in 1859. In the mid-1860s, however, Tissot began to concentrate on depicting women, often although not always shown in modern dress. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored japonisme, including Japanese objects and costumes in his pictures. A portrait of Tissot by Degas from these years (Metropolitan Museum of Art, New York) shows him with a Japanese screen hanging on the wall. Titta min galleri i Sverige
 
 
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James Joseph Jacques Tissot October oil painting reproduction

   
 

 

 
   
      

James Joseph Jacques Tissot
James Jacques Joseph Tissot (15 October 1836 - 8 August 1902) was a French painter, who spent much of his career in Britain. Tissot was born in Nantes, France. In about 1856, he began study at the École des Beaux-Arts in Paris under Hippolyte Flandrin and Lamothe, and became friendly with Edgar Degas and James Abbott McNeill Whistler. Tissot exhibited in the Paris Salon for the first time in 1859, two portraits of women and three scenes in medieval dress from Faust. The latter show the influence of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom he had met in Antwerp in 1859. In the mid-1860s, however, Tissot began to concentrate on depicting women, often although not always shown in modern dress. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored japonisme, including Japanese objects and costumes in his pictures. A portrait of Tissot by Degas from these years (Metropolitan Museum of Art, New York) shows him with a Japanese screen hanging on the wall.
October

        
 
   
 

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